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Marnie, being associated with another world, is oddly logically deduced. It exists with implications, enough to surmise why things happen. Magic, in the film, isn’t directly stated. Its mystery is much like the mansion’s fog, covering just enough to keep things hidden.
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However, the film is never too revealing. Through its dialogue, it can clarify plot details and unveil character. Visually, it implies association through character similarities and visual ideas. When Marnie Was There is a film that plays with information. Marnie is a liminal figure, connecting Anna’s emotions back again, and returning a little magic into her world. Marnie is a figure able to pass through “different worlds,” and this is reinforced by her sudden disappearances, the sudden changes to the mansion, and even the lighting of the water, dividing the lake in two-one side reality, the other side dream. Her family situation (parents constantly gone), her treatment by her servants, and her loneliness help the two relate.įurthermore, Marnie connects Anna to her own world, one with Western parties in a famous mansion, one that fades with the morning tide, changing the mansion like a dream. She, just like Anna, is visually different with her blonde hair, blue eyes, and Western outfits. To help bridge the gap-to connect her to others-Marnie is an important figure. Her own looks, she feels, reinforces her otherness. From this, we understand logically why she pushes herself away. Anna, who has lost her mother, feels isolation not just because of her physical traits, but from her unfortunate loss. Just as its dialogue divides two worlds (inside and outside), the visuals do the same.Īnna considers herself an outsider, but she’s not the only one.Her name (Anna) and her eyes (blue), make her stand out from her Japanese colleagues and even family.
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Lastly, the film’s visuals evoke audiences to question and learn about the story, establishing a believable magic: love.Īs stated previously, the movie establishes space early, introducing viewers to a concept they can analyze sooner. To include a diverse audience, the dialogue is direct, while preserving an air of mystery. To carry the Ghibli atmosphere, he fashions a fantasy from a seemingly normal and relatable world, creating a distinct inside/outside space. The result is a study on why Ghibli remains beloved today.
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To properly convey the Ghibli spirit, Yonebayashi had to succeed under pressure and expectations. At the time, he was known for one other work, The Secret World of Arietty (2010). However, Omoide no Marnie (When Marnie Was There) is a Ghibli film directed and written by Hiromasa Yonebayashi. Studio Ghibli has a reputation, and its audience carry a set of expectations, especially given the impressive resume of Hayao Miyazaki, one of the great minds of the studio. When one thinks of Studio Ghibli, one remembers fondly the classics, the beautifully directed and wonderfully written stories.